Review: Coke Studio Season 4 Episode 2: Kaavish, Nindiya Re
On to Kaavish! Now, this band has truly played with my emotions over the years. I went from crazed fan, to frustrated follower, to indifferent individual. With their appearance on Coke Studio Season 4, the frustrations have returned. How long ago did I hear Bachpan, probably in my own bachpan! Years went by without a debut album, as fans had to wait endlessly for a studio release. By the time Gunkali was launched, I have to admit I had lost all interest in what they had to show the world, and I still haven’t heard the album.
There’s the background of my relationship with the band. With an appearance in Coke Studio, I was obligated to listen to what they had to offer, so I put my feelings aside and hit play. My eyes feel heavy as I close them and let the vocal stylings of Jaffer Zaidi hush my frustrations. His deep, sleepy delivery manages to maintain technical prowess, as he takes us on a gliding trip under the midnight moon. Asad Ahmed is given another opportunity to show his bluesy chops. Absolutely loving the tone, it invokes feelings of Clapton and John Mayer, thanks Rohail for adding that bit in! Really hoping Omran gets a solo or two this season :) Rachel and Zoe are spot on as usual, I have to say I am enjoying their backup deliveries more than previous seasons’ ladies. Kudos to Coke Studio for introducing some new blood in the house band :) Oh, and a XYLOPHONE!! I hope they keep that thing on set as well, truly adds a freshness to the songs similar to what the cello’s did for Mizraab’s “Kuch Hai”.
All in all, a very suble, moving track that stays true to Kaavish’s style. Well, at least the Kaavish I knew before I grew impatient with the album wait. Perhaps it’s time to go grab a copy of Gunkali :)
Review: Coke Studio Season 4 Episode 2: Attaullah Khan Esakhelvi, Ni Oothaan Waale
We make our way to Ataullah Khan Esakhelvi, performing Ni Oothaan Waale in episode 2 of Coke Studio Season 4. Another act I had no previous knowledge of. Starts off with a conventional background to the folk vocals, and swells into a hip, upbeat number. Absolutely loving Asad’s guitar effect, one of the things I never understood about Coke Studio is why they kept the guitarists on such a tight leash, so it’s good to see a little electric flavour. Ataullah, affectionately known as Lala, has a really heartfelt delivery, and all language barriers come tumbling down as he progresses through the song. Really wish I knew what he was saying in the monologue, let me know if you know!
All in all, Coke Studio finds a way to maintain its freshness and relevance in its attempt to fuse folk/classical with western/contemporary, and the great thing is even Lala enjoys the houseband’s offering, as it is apparent in his body language. Goes to show that great music truly is boundless. Looking forward to more material by him, in this season and beyond :)
