Review: Coke Studio Season 4 Episode 2: Attaullah Khan Esakhelvi, Ni Oothaan Waale
We make our way to Ataullah Khan Esakhelvi, performing Ni Oothaan Waale in episode 2 of Coke Studio Season 4. Another act I had no previous knowledge of. Starts off with a conventional background to the folk vocals, and swells into a hip, upbeat number. Absolutely loving Asad’s guitar effect, one of the things I never understood about Coke Studio is why they kept the guitarists on such a tight leash, so it’s good to see a little electric flavour. Ataullah, affectionately known as Lala, has a really heartfelt delivery, and all language barriers come tumbling down as he progresses through the song. Really wish I knew what he was saying in the monologue, let me know if you know!
All in all, Coke Studio finds a way to maintain its freshness and relevance in its attempt to fuse folk/classical with western/contemporary, and the great thing is even Lala enjoys the houseband’s offering, as it is apparent in his body language. Goes to show that great music truly is boundless. Looking forward to more material by him, in this season and beyond :)
Review: Coke Studio Season 4 Episode 1: Bilal Khan, To Kia Hua
ALRIGHT, let’s get crackin’. I’ll be posting some of my opinions on each of the songs in a separate post so as to keep my thoughts organized and not to overwhelm me. I will do my utmost best to judge the music without any personal feelings for the artists to interfere. So Coke Studio Season 4 kicks off with a performance by Bilal Khan of Bachana fame. I am a huge fan of his, and was anticipating this performance the most.
Perhaps this anticipation raised my expectations too high, but this version just didn’t do it for me. Now, there are two kinds of people who experienced this song and came away with two different impressions. The first is people who make it a daily duty to listen to the acoustic version of this song. Coke Studio departed from that vision in a couple of important places. The second type of person is the one experiencing this song for the first time, who hasn’t really paid attention to the acoustic version so they don’t really have anything else to compare it with. This is the generalization I’ve come to from talking to my friends and music fans.
Now, what was so different? I’m not really sure if it’s one or two things, but you pick up on it right at the start. Could it be the echo effect on Bilal’s voice? Could it be the background music is too…subdued? The muted chords really shape the live version, and give the vocals more power in my opinion. The flow of the chorus in CS seems to push forward, then hold back. Almost a pulsing feel created by the bass line, while the live version keeps that consistent rhythm. As the song comes to the bridge, it feels like another anti-climactic moment. Something’s definitely not working for me, although the Viccaji’s really shone bright. It’s too..atmospheric, like a fog has rolled in and you’re hearing a lost “haara nahin huun mein” coming from the haze. In the acoustic version, this is where the guitar really takes off and powers through the rhythms. It’s defiant, and plows through with a reassuring “haara nahin huun mein”.
As much as I love CS and BK (Burger King and Bilal Khan, they’re both pretty awesome), I have to say I found the song didn’t meet my expectations, and I feel most of it has to do with the way the music was arranged. It’s funny how a song with multiple vocalists, instrumentalists, and state of the art equipment doesn’t end up matching the feel of an acoustic guitar in an empty room. That’s the beauty of music. I hope I didn’t come off as too negative, because this episode hasn’t decreased my optimism and excitement for the release of Umeed, Bilal Khan’s first album. I can’t wait to hear the studio version of To Kya Hua and compare it with the two versions we already have :)
Bat for Lashes, “Daniel”
Well, I was supposed to post this a few days ago, sorry for the gap! Featuring Bat for Lashes this time, performing their hit song “Daniel” at the legendary Abbey Road Studios. Bat for Lashes is founded by singer Natasha Khan, a half-Pakistani born in England. She is a cousin (once removed) of squash champion Jehangir Khan, one of Pakistan’s most celebrated athletes. Her father, Rahmat Khan, is the one who coached Jehangir to the heights he reached. Definitely a talented family! She has recently won at the UK Asian Awards for Best Alternative Act, and has also picked up hardware for the song above in the Best Contemporary Song category at the Ivor Novello Awards, both in 2010. These wins were preceded by a slew of nominations in previous years at the Brit Awards and the MTV VMA’s.
Anyways, apart from the history and background, I love her voice, haunting and mesmerizing. The music style is absolutely perfect for her vocals, very ambient, atmospheric, nostalgic tune. Love the kettle drum (thing that makes that thunder rolling sound), wonderful arrangement, deep deep lyrics and, sigh, a perfect package is all that really needs to be said. Hope to hear more awesomeness from her in the future. Represent!
